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a blog about CompositionCloud by Goni Peles

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Tag: graphic notation

June 9, 2018May 14, 2019gonipeles

MUSIC FOR ONESELF v2

May 30, 2018January 29, 2019gonipeles

ccloudlab1

December 17, 2017November 28, 2018gonipeles

diagram9-9type2

December 15, 2017November 28, 2018gonipeles

24d24iS_esO4bsPSpbVRssS2-EPB

September 13, 2017January 29, 2019gonipeles

ccloudlab1x2

September 13, 2017January 29, 2019gonipeles

stuckJunk-v1

April 5, 2017November 25, 2018gonipeles

diagram8x2diagram9-1

April 5, 2017November 25, 2018gonipeles

pencil3

February 6, 2017January 29, 2019gonipeles

Introduction to CompositionCloud

November 1, 2016November 10, 2018gonipeles

10d_6sxsch-MVP_Wsb

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Recent Posts

*almost a pulse
*MUSIC FOR ONESELF v2
*ccloudlab1
*SRF18-cb_2tpc-lt
*psNLr25kE-sub

Categories

collaborations collections diagrams events games guides Illustrator studies imaginary sounds installations Max/MSP/Jitter methodologies mobile apps musical instruments performances photos sounds surveys texts theories videos web apps workshops

Tags

annotating diagrams annotating imaginary sounds annotations art pieces audio notation complex of ideas creative coding databending dynamic notation electronic music fetishism graphic notation hybrid musical instruments imagined music improvisation interactive notation interpreting diagrams interpreting imaginary sounds music for oneself self-made musical instruments verbal notation

What is CompositionCloud?

CompositionCloud is an abstract rhizomatic space containing different ideas to be used in modular ways to create art, mostly in the realms of sound and music, but not necessarily.

ccloudblog was created to give access to the digital content of CompositionCloud, namely, to its texts, images, sounds, videos, and programs. it is recommended to explore it as if taking a walk in a garden, observing not only the individual ideas, but also the ecology they form.

click here to read more about what CompositionCloud is.

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Who is Goni Peles?

Goni Peles (b. 1988) is a composer based in Bristol, UK, undertaking a PhD in Composition at Bath Spa University under the supervision of James Saunders. he holds two Master’s degrees in Composition and Music Theory from the Hochschule für Musik Basel, where he studied with Caspar Johannes Walter and Jakob Ullmann, and a B.Mus. in Composition from the Buchmann-Mehta School of Music (Tel Aviv University), where he studied with Dan Yuhas. he completed a 2-year course in sound and music production at BPM College and produced trance and electronic music when he was a teenager.

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