ccloudblog

a blog about CompositionCloud by Goni Peles

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Tag: imagined music

June 13, 2018February 16, 2024gonipeles

almost a pulse

June 9, 2018February 16, 2024gonipeles

MUSIC FOR ONESELF v2

November 19, 2017February 15, 2024gonipeles

modularSoundStories

February 6, 2017July 6, 2024gonipeles

Introduction to CompositionCloud

November 5, 2016November 26, 2018gonipeles

iS6

November 3, 2016January 3, 2019gonipeles

iS1iS2_x1iS6iS5

November 3, 2016November 26, 2018gonipeles

iS1iS2_x1iS6

October 25, 2016November 26, 2018gonipeles

iS5iS6

October 25, 2016November 26, 2018gonipeles

iS1v2iS2

September 24, 2016February 16, 2024gonipeles

filteredNoise2

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Recent Posts

*almost a pulse
*MUSIC FOR ONESELF v2
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Categories

collaborations collections diagrams events games guides Illustrator studies imaginary sounds installations Max/MSP/Jitter methodologies mobile apps musical instruments performances photos sounds surveys texts theories videos web apps workshops

Tags

annotating diagrams annotating imaginary sounds annotations art pieces audio notation complex of ideas creative coding databending dynamic notation electronic music fetishism graphic notation hybrid musical instruments imagined music improvisation interactive notation interpreting diagrams interpreting imaginary sounds music for oneself self-made musical instruments verbal notation

What is CompositionCloud?

CompositionCloud is an abstract rhizomatic space containing different ideas to be used in modular ways to create art, mostly in the realms of sound and music, but not necessarily.

ccloudblog was created to give access to the digital content of CompositionCloud, namely, to its texts, images, sounds, videos, and programs. it is recommended to explore it as if taking a walk in a garden, observing not only the individual ideas, but also the ecology they form.

click here to read more about what CompositionCloud is.

Who is Goni Peles?

Goni Peles (b. 1988) is a composer based in Israel undertaking a PhD in Composition at Bath Spa University under the supervision of James Saunders. he holds two Master’s degrees in Composition and Music Theory from the Hochschule für Musik Basel, where he studied with Caspar Johannes Walter and Jakob Ullmann, and a B.Mus. in Composition from the Buchmann-Mehta School of Music (Tel Aviv University), where he studied with Dan Yuhas. he completed a 2-year course in sound and music production at BPM College and produced trance and electronic music when he was a teenager.

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