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a blog about CompositionCloud by Goni Peles

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Category: imaginary sounds

February 22, 2016November 26, 2018gonipeles

iS2

February 8, 2016November 26, 2018gonipeles

iS1v2

January 22, 2016November 26, 2018gonipeles

iS1v1iS2

January 18, 2016November 26, 2018gonipeles

iS1iS2v1

January 17, 2016November 26, 2018gonipeles

iS3

December 20, 2015November 26, 2018gonipeles

iS1iS2iS3

December 7, 2015November 26, 2018gonipeles

iS1iS2

November 17, 2015November 26, 2018gonipeles

iS1

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imaginary sounds (iS)
texts that describe sounds using verbal metaphors. readers are invited to an imagined musical experience in which they are to use their own musical imagery to interpret the texts.

Recent Posts

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collaborations collections diagrams events games guides Illustrator studies imaginary sounds installations Max/MSP/Jitter methodologies mobile apps musical instruments performances photos sounds surveys texts theories videos web apps workshops

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annotating diagrams annotating imaginary sounds annotations art pieces audio notation complex of ideas creative coding databending dynamic notation electronic music fetishism graphic notation hybrid musical instruments imagined music improvisation interactive notation interpreting diagrams interpreting imaginary sounds music for oneself self-made musical instruments verbal notation

What is CompositionCloud?

CompositionCloud is an abstract rhizomatic space containing different ideas to be used in modular ways to create art, mostly in the realms of sound and music, but not necessarily.

ccloudblog was created to give access to the digital content of CompositionCloud, namely, to its texts, images, sounds, videos, and programs. it is recommended to explore it as if taking a walk in a garden, observing not only the individual ideas, but also the ecology they form.

click here to read more about what CompositionCloud is.

Who is Goni Peles?

Goni Peles (b. 1988) is a composer based in Israel undertaking a PhD in Composition at Bath Spa University under the supervision of James Saunders. he holds two Master’s degrees in Composition and Music Theory from the Hochschule für Musik Basel, where he studied with Caspar Johannes Walter and Jakob Ullmann, and a B.Mus. in Composition from the Buchmann-Mehta School of Music (Tel Aviv University), where he studied with Dan Yuhas. he completed a 2-year course in sound and music production at BPM College and produced trance and electronic music when he was a teenager.

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